So I’ve been listening to Gavin Turek for the last year or so, enjoying everything I’ve heard through Spotify. But until recently, I thought that Gavin was a DJ who had a really good female singer accompanying him. That is incorrect.
Gavin Turek is a singer, songwriter, dancer, and actress from L.A. and you get the point, I’m an ignorant idiot. At least she’s a sport.about it:
haaaaaa all good it happens 😌
— Gavin Turek (@gavinturek) September 11, 2017
Gavin’s music runs the gamut of R&B to disco club hits and the common thread is there’s a nice groove in every song.There’s about 25-30 of her songs on Spotify (ncluding remixes) so it’s easy to catch up on what you’ve been missing. Being a perky dimply dude, I’m focusing on the more dancy stuff (yep, and I don’t dance), but give it all a listen–it’s worth it.
The first two songs are from 2015. Both “Frontline” and “Don’t Fight It” both have 1980’s dance pop sensibility but not over the top that you don’t feel comfortable sitting in 2017.
Gavin’s “Good Look for You” EP came out in 2017, and I really dig the title track, which like “Frontline” and “Don’t Fight It” straddles the line between the 80’s and today.
“Birdie Bees”, which came out this month, has it’s feet firmly in the now, and has a slower funky feel, and some vocal gymnastics from Gavin. This is a nice kickback, change of pace from the songs above and look forward to hearing mre.
2. ” Over Everything” by Courtney Barrett and Kurt Vile (2017) – So Courtney Barrett and Kurt Vile did a song together? Really. They did a whole album together? Yep. If you like either one of them, you’ll probably like this. And this is my kind of country music (ok, I know it’s not country).
3. “E=MC2” by J Dilla (2006) – Because when I hear this groove by J Dilla, I feel like I can take bullets. Any one who was ever overcaffeinated, overstimulated or just intelligent should understand that last sentence.
I’m not sure who followed who on Twitter, but Frances-Frances has the least Twitter or Facebook followers I’ve seen for a legitimately good band (They can be found on Twitter via https://twitter.com/FRNCS_FRNCS or Twitter handle @FRNCS_FRNCS).
Their Twitter page says Glitz ‘n’ Blitz | Glam/Post-Punk from South London. To me, it’s straight up fun alternativ-ey British rock. There is something about these guys, I can’t put my finger on it but it was fun listening to all of the tracks on their Bandcamp page.
There is the current batch that just came out called “Demos”, which was released a few days ago (9/1/2017): https://frances-frances.bandcamp.com/album/demos
Also, from March 2017- “Venus Incarnate / Ides of March”: https://frances-frances.bandcamp.com/album/venus-incarnate-the-ides-of-march
You can’t go wrong here. I’m assuming (hoping) that they are continuing to work on new material (hey guys, how about putting these up on Spotify?).
So what were you doing at the age of 20? Enisa is a 20-year-old singer from Brooklyn, and she sounds amazing. Her voice is both beautiful with a touch of hostility, like she would kick my ass if she needed to. Below is her video for “Burn this Bridge”.
Sounds great,right? I really hope this is the beginning, it’s clear she has runway here to go far.
Enisa currently has three other songs on Spotify (4 if you count a remix of Burn This Bridge). I gave them all a listen and you can’t go wrong with any of them.
Enisa’s current single is “Freedom”, which sounds like she is going for it. Can’t wait to hear more of this. Below is a list of her songs on Spotify, but I think you can find her on Apple Music too.
Here we go folks, Monday night and I’ve got five songs for ya to get through the week, or the next 25 minutes.
1. “You Are In My System” by The System. Love 80’s music and fashion!
2: Between Us & Them” by Moving Units – anything that sounds remotely like vintage Franz Ferdinand is welcome.
3. “Ye Ye Yamaha” by The Go! Team. I love The Go! Team so much–this song is in French, no clue what they’re saying, and still love it.
4. “Myage” by Descendents. This is old school punk you may never heard of, and it’s more punk to me than anything else.
5. Lotus Eater by Foster the People. These guys keep pushing new sounds. They could’ve gone the pop route and stayed in a lane but kept playing around and I appreciate that.
With Rise Against’s June 2017 release of “Wolves”, I decided now was the time to do a mini deep dive on their back catalog. Armed with google searches and a couple of reddit boards, I came up the playlist below.
By no means am I a superfan, so feedback and requests are welcome through Twitter (@chiswick_radio).
Like many of you who have Spotify, on Mondays I get a 30 song playlist called “We Are Trying to Figure You Out”. The playlist is really called “Discover Weekly” and it recommends new songs based on my listening habits. I would venture that on a good week, about 30% of the songs they pick make it on one of my playlists.
The one algorithm (or is it a genre?) that is a favorite are R&B songs that weren’t huge hits BUT were sampled by songs that became hits. I love the specificity of that – kind of like getting a batch of songs that use the word “loooooooove”, instead of love.
The sampling argument is at least 40 years old and I will not rehash it. Instead of taking the side of people who say “they are trying to make music by ripping off others”, I’ll go the opposite way. R&B / Hip-Hop artists are taking parts of a song that might not get recognition and giving it new life to the original artist and enhancing the new song. Off the pedestal.
Below are my current favorite songs that have been sampled by others. So as not to spoil it (and see if you can figure out for yourself), there will be a big white space after I list the three song. Feel free to scroll down and you will find the original song it came from. I’m only listing samples I know (or think) I know. http://www.whosampled.com/ is a great place if you want to do more research.
“Think (About It)” by Lyn Collins (1972)
Lyn Collins is a great R&B singer that is most famously associated with the James Brown ecosystem of music (and that’s not a bad place to be). The famous hook comes midway through the song, but the vocals, horns, and organ work on it’s own make it a playlist staple.
“Get Up and Dance” by Freedom (1979)
The band Freedom would be the answer to the question “What if you took Kool & The Gang and Earth Wind & Fire and smushed them together?”. This song has many nuggets that have been sampled by others, some less obvious than others.
“I Got The……” by Labi Siffrey (1975)
Nothing emerges at the beginning of this song but two minutes in, it hits you right in the face. It is art the way a producer can take that riff, and create a smash out of it. And please don’t think it wasn’t integral to the song’s success. And that is not a slight in anyway to both the artist and the producer (listed below) who are world famous, and first ballot inductees in the to-be built Chiswick Radio Hall of Fame.
Scroll down to see where these great songs were used (if you didn’t know already).
Posted in The Vault
I will keep this very brief. I did a deep dive of the Strokes catalog on Spotify, and pulled the songs that I thought merited being on this Stokes playlist (I like to call it a “digital box set”).
Admittedly, this list is weighed heavy on the first album “This Is It”—- as almost every song appears on it. I’m sure I will get it from someone for the two songs I left off (and don’t get me started on “New York City Cops”) .
But there is some balance here with songs from every album, including an independent single and the recent EP.
The Strokes have been a great band, the last 15 years. The only issue was their first album will be the most highly regarded fom now until eternity—there was no rising action—we were at the top of the mountain from the beginning. But, the entire catalog is definitely worth going through a few times.
There are 31 songs here that come in a little under two hours. Enjoy.
If you follow your favorite band’s history, there’s usually a height it reaches artistically before a decline or plateau. In some cases, the music that is produced after their peak is unbearable to listen to. I’m not a hater so won’t name names, I’d rather just walk away from it (or run) and not speak ill. But you can probably find a few bands you used to love who fall under this category.
Another flavor is the band that will be remembered for a certain height, like what I mentioned above. After that height, though, they continue to produce music that, while it won’t be on the short list of your all time faves, create that distinct sound and artistry that you crave and welcome when you hear it.
Which brings me to Dear World, by Nine Inch Nails. I’m by no means a hardcore fan of NIN, but I’ve listened enough of them over the last oh god, I don’t know how many years, oh let’s stop there.
Dear World sounds like a distinct Nine Inch Nails song with the instrumentation and Trent Reznor vocals. We are not breaking new ground here, neither will it be in the retrospective video when they gets into the Rock and Roll Hall of Fame (shouldn’t NIN be in already)?
I’ll keep it brief, listen to it below, and you’ll know exactly what I mean. Enjoy.
This all got started on seeing that Foxygen, a band I was vaguely familiar with, is playing the Paradise Rock Club in Boston in late March. Having kids, you need to pick your spots on which concerts to see.
What’s written and pasted below is one guys broad shallow sweep through Foxygen’s discography. No reviews have been read so no apologies if it sounds like something someone else has written.
Spoiler alert: will probably go to the show, more on that later……
My introduction to Foxygen was through Diane Coffee (via Spotify), and is an act tangentially related, and you can wikipedia it all.
Foxygen has a huge affinity for the 60’s and 70’s—hitting doo-wop/oldies, psychedelia, and 70’s pop tunes.
I’m going to get this off my chest, the lead singer reminds me of the lead singer of Cymbals Eat Guitars with a whole lot more range. He can go Mick Jagger and at that point it becomes scary good.
There is definitely a 1960’s vibe on the first three albums, (2012’s Take the Kids off Broadway, 2013’s We are the 21st Century Ambassadors of Peace & Magic, and 2014’s And Star Power). “Take the Kids” is more early 60’s (think wall of sound with dramatic highs and lows) , while “21st century” embraces more of the psychedelic. “Star Power” builds on “Peace & Magic” with more rock.
By the way, the last song of “Star Power” is “Hang”, which is the name of their new album (came out January 20th, 2017). That’s a 3 year commitment right there.
Start with this…
It’s all over the place. And we love changeups and curveballs.
“No Destruction” is a gem, it’s a cross between a legitimate classic rock song with a little bit of 90’s alternative mixed in. I love the line “There’s no need to be an asshole, you’re not in Brooklyn anymore…..”
“On Blue Mountain” …
“How Can You Really” is the song everyone knows, and rightfully so. 70’s pop rock (with horns!) These guys love horns, I really hope they bring some brass on tour.
Here is stuff from the new album:
“Follow the Leader”—-I’m loving this, it sounds mid – 70’s and I say that in the best way possible.
“Avalon” (in the name of Boz Scaggs!)
“America” – I tweeted out this might be the best show tune I’ve heard all year. I stand by that comment. The song writes the play.
“On Lankeshim” – this ties the showtunes and rock together. I could see a Springsteen cover band doing this.
So, these guys feel all over the place, but it does come together very nicely. It’s a music geek’s adventure which is why it would be a total trip to see them live if done right. I’ve got high hopes and expectations. The various musical styles and instrumentation Foxygen uses will make for quite an interesting experience. Especially so since it’s in the Paradise, which is mostly standing room and fits about 600 if it’s jam packed. If you like shaking hands with the band members, this place is ideal.
This has to be taken in, I don’t know where Foxygen is going, but I hope they keep going.
Posted in The Vault